Helmed by Bristol sound co-founder the musician-producer, this sharp-edged though slight first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. In no time, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Poacher denying his container of scrumpy, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a comically executed chaotic run on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in UK and Irish theaters from November 17.
